Từ Michael Pilz Filmproduktion Studios
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1993
Cage
Cage1 1993 HD
A cinematographic attempt at a maximum of exertion and a maximum of relaxation based on the thoughts of John Cage, Chuang Tzu and others.
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1997
Facts for Fiction
Facts for Fiction1 1997 HD
For one night Michael Pilz rides through New York with a remarkable taxi driver, Jeff Perkins. Sitting by his side, looking and listening, sometimes...
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1990
Feldberg
Feldberg6.00 1990 HD
In this evocative work, we hear and see the interactions of a man and a woman in a pristine forest. We gain a sense of intimacy with them and nature....
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1983
Heaven and Earth
Heaven and Earth6.10 1983 HD
Michael Pilz's 285-minute Himmel and Erde is an essay film or an ethnographic documentary. It contemplates the finite lot of individuals as part of a...
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1995
Let‘s Sit Down Before We Leave
Let‘s Sit Down Before We Leave8.00 1995 HD
A cinematographic reflection on external and internal images based on a journey to Siberia: looking, listening and marvelling.
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2020
With Love – Volume One 1987-1996
With Love – Volume One 1987-19961 2020 HD
To this day, a work in progress called 'Curtains' can be found on the extensive website of Austrian maverick master Michael Pilz. The idea was to...
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1984
SS-Nr. ...
SS-Nr. ...6.80 1984 HD
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1988
Josef Hauser - Klang und Raum
Josef Hauser - Klang und Raum1 1988 HD
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1989
80cm 5t
80cm 5t1 1989 HD
Karl Prantl, the main character in the film, is one of the leading figures of Austrian art. As a sculptor - as one who shapes stones - he has...
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2018
Triptych
Triptych1 2018 HD
Originally intended as a four-room media installation, allowing the viewer to "live" the film, come and go, Michael Pilz's essay about South Styrian...
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1971
Wladimir Nixon
Wladimir Nixon1 1971 HD
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1986
Paticca-samuppada
Paticca-samuppada1 1986 HD
"Deep is the doctrine of events as arising from causes, and it looks deep too. It is through not understanding this doctrine, through not penetrating...
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1994
All The Vermeers in Prague
All The Vermeers in Prague1 1994 HD
"A montage of years of personal videography. My way of seeing was, and remains, more important than the object itself." (Michael Pilz)