In her recent films, Geiser has been exploring the possibilities found in merging video texture with film, creating a kind of deep, ambiguous space, a suggestion of “the floating world”. In ULTIMA THULE, gravity fails, land and sky lose their historical meaning. A small silver plane navigates an ultramarine storm, flying over barely-glimpsed hills, an unlikely ferry to ”Ultima Thule”: the farthest point north, the limit of any journey. The seduction of immersion in blue is too strong to avoid, the land fills with water, and time loses its line.
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Ultima Thule
In her recent films, Geiser has been exploring the possibilities found in merging video texture with film, creating a kind of deep, ambiguous space, a suggestion of “the floating world”. In ULTIMA THULE, gravity fails, land and sky lose their historical meaning. A small silver plane navigates an ultramarine storm, flying over barely-glimpsed hills, an unlikely ferry to ”Ultima Thule”: the farthest point north, the limit of any journey. The seduction of immersion in blue is too strong to avoid, the land fills with water, and time loses its line.
Eddie and Venom are on the run. Hunted by both of their worlds and with the net closing in, the duo are forced into a devastating decision that will...